Animation Video Production That Brings Your Most Complex Ideas to Life.

We produce 2D animation, 3D animation, motion graphics, whiteboard animation, and character animation, chosen to fit the message rather than a house template. 2D and character work suit stories and explainers, 3D suits products and mechanisms, motion graphics suit data and UI, and whiteboard suits step-by-step teaching.

Many projects blend styles, like motion graphics over 3D product shots. We recommend the mix from what you need to show and your timeline. See our animation styles guide for a full breakdown.

It builds a video from illustration and motion instead of camera footage, so you can show things that do not exist yet or cannot be filmed. It runs from script and concept, to a style frame and storyboard, to the animation, to voiceover and sound.

Because everything is created frame by frame, the storyboard stage is where most decisions are locked. That upfront planning is what keeps an animated video on brand and on budget.

wD animation is faster and more flexible, ideal for concepts, explainers, and brand video production. 3D animation suits physical products, mechanisms, and anything where depth and detail matter, and it takes longer because models and lighting are built from scratch.

Some projects use both, like a 2D narrative with a 3D product hero shot. We recommend the technique that fits your story and timeline on the call. See our 2D vs 3D animation guide for a side-by-side.

An Emmy-winning studio trusted by 300+ brands, producing custom 2D, 3D, motion graphics, and whiteboard entirely in-house.

That makes us a full-service 2D animation studio and 3D animation studio in one team, so a project that needs both is not split between vendors.

Nothing is outsourced or built from templates, so every frame matches your brand, and one team runs script, style, animation, and sound. That control is what separates a custom 2D animation company from a stock-template service.

Yes, both in-house. Whiteboard animation is a strong fit for teaching a process or breaking down a complex idea step by step, and it reads as clear and approachable.

Motion graphics are ideal for data, statistics, UI, and brand elements, and they pair well with live footage. You can mix techniques in one piece; the right choice depends on whether you are teaching, presenting data, or telling a story. For structured courses and training, see our educational video production.

Yes. As a 3D animation studio, we build product, mechanism, medical, and architectural visualizations that show detail no camera can reach, including cutaways, exploded views, and internal processes.

This is ideal for hardware, industrial, and healthcare video production, where cutaways and exploded views explain how something works. 3D also lets you show a product before it physically exists, useful for launches and fundraising.

For product-led pieces, see our product video production. We model, texture, light, and animate from your specs or reference.

Script and concept, then style and storyboard, then animation, then delivery, on a roughly four-week timeline for a standard piece.

The style frame and storyboard are approved before animation begins, because changing motion after it is animated is the most expensive point in the process. 3D and character-heavy projects take longer than simple 2D or motion graphics.

We schedule the approval milestones up front so the project keeps moving.

Yes, and mixed media is one of the most effective formats we produce. Live footage builds trust and shows real people or products, while animated overlays and motion graphics explain what the camera cannot, like data, connections, or internal workings.

A common approach is a live-action interview or demo with animated callouts on top. We plan the shoot and the animation together so the two integrate cleanly, not bolted on.

Yes, they are a core part of our work. When the goal is explaining a product or idea, animation is one of the main techniques we use.

If your priority is the message and conversion, our explainer video production page covers that script-first approach in depth; if it is the animation craft itself, this is the right page. In practice the two overlap, and we steer you to the approach that fits the goal. Either way the animation is custom-built for your brand.

Scope drives it: length, 2D versus 3D, the complexity of the animation and character work, the number of unique scenes, and how many deliverables you need.

A short motion-graphics piece and a fully animated 3D product film sit far apart. We scope each project on a short call and give you one clear number and timeline. Reusing assets across a series is one way to bring the per-video effort down.

We use AI where it genuinely speeds up drafts, ideation, and iteration, but the direction, animation, and final craft are done by our team, not generated wholesale.

That keeps quality and brand consistency under human control while shortening some early stages. You always get a custom piece, not an auto-generated one. If you have a preference about AI use on your project, we follow it.

The final animation plus cutdowns and every format you need for web, social, and broadcast, including horizontal, vertical, and square versions.

Captions or subtitle files and platform-specific exports are included as needed. Source or project files are available on request if you want future edits or localized versions. Everything is delivered ready to publish.

3D front-loads the work. Models, textures, rigging, and lighting are built from scratch before a second is animated, so a photoreal product film takes longer than a 2D explainer of the same length.

Once the assets exist, extra shots and sequels get cheaper. We scope the model and shot count up front, so the timeline is set before we start.

Whatever your build needs. Alongside MP4 and MOV, we deliver Lottie/JSON for lightweight UI animation, transparent alpha (ProRes 4444 or PNG sequences) for overlays, looping web-ready exports, and GIFs where required. We match frame rate and color to your platform so it drops in without re-encoding.

Yes, and that is the efficient way to scale. The characters, icon systems, and 3D models we build become a kit for future videos, so episode two costs a fraction of episode one and stays perfectly on brand. We hand off an organized asset library, and planning the series up front is what unlocks the savings.